Experience

• 3D Weapon Skin Artist at Freelance

  Remote, PT

  September 2020 - Present

  - Creating AAA quality high-poly models with great readability for both all the weapons in the game and custom ordered skins, recently half way done through half of the updated CS2 models
  
  - Syncing with various stake holders on skin design decisions and delivering multiple different variations on each of the skin designs
  
  - Successfully contributed to our team winning a weapon spot on the Dreams & Nightmares Case global contest

• Lead Hard Surface Artist at Realworld One

  Freiburg

  October 2021 - Present

  - Lead members of the modeling department in the development of AAA quality assets
  
  - Participate in the estimation and scheduling of projects - Provide regular review and feedback on teams work in a clear and constructive manner
  
  - Raise the bar for the project by demanding high results from self and team members
  
  - Actively participate in the constant improvement of work methods and pipelines
  
  - Share knowledge and recommend best practices in the 3d hard surface field
  
  - Ensure that produced and integrated assets meet the quality standards and are well optimized
  
  - Sync with other lead artists to tackle cross-department or cross-team challenges
  
  - Develop photorealistic complex high poly props/devices
  
  - Making optimization decisions according to the technical limitations and ensuring that both models and textures work perfectly inside Unreal Engine
  
  - Creating custom shaders to improve the visual quality while keeping in mind the optimization requirements for VR development

• 3D Generalist at Realworld One

  Freiburg, Germany

  October 2020 - October 2021

  - Created Hi-poly, Low-poly models for use in VR and product marketing.
  
  - Creating both unique and Trim textures for efficient use in environments
  
  - Baking dense high poly meshes into very lightweight game-ready models in Marmoset Toolbag
  
  - Texturing photorealistic assets for both product visualization shots and tweak the textures accordingly for better readability in virtual reality experiences
  
  - Texturing environments using a combination of smart materials Substance Painter, Quixel Decals, and some personal decals.
  
  - Created textures for Pipeline Usage within Unreal Engine
  
  - Environment/Prop optimization for the best performance while maintaining visual fidelity.

• Freelance 3D Generalist at Realworld One

  Remote, Germany

  April 2020 - September 2020

  - Created Hi-poly, Low-poly models for use in VR and product marketing.
  
  - Creating both unique and Trim textures for efficient use in environments
  
  - Baking dense high poly meshes into very lightweight game-ready models in Marmoset Toolbag
  
  - Texturing photorealistic assets for product visualization shots
  
  - Texturing and environments using a combination of smart materials Substance Painter, Quixel Decals, and some personal decals.
  
  - Created textures for Pipeline Usage within Unity / Unreal Engine.
  
  - Post processing development for asset visualization in Marmoset
  
  - Environment/Prop optimization for the best performance while maintaining visual fidelity.
  
  - Lighting and rendering the final product in Marmoset Toolbag.
  
  - Creating game-ready modular buildings

• 3D Contract Artist at Dekogon

  Remote, United States of America

  December 2019 - Present

  - Created Hi-poly, Low-poly models.
  
  - Uniquely/Trim unwrapping texture maps for the models
  
  - Baking edge highlights and normal map details through Marmoset Toolbag
  
  - Texturing using Substance Painter, creating smart masks, smart materials and procedural textures.
  
  - Created textures for Pipeline Usage within Unity / Unreal Engine.
  
  - Post processing development for asset visualization in Marmoset
  
  - Environment/Prop optimization for the best performance while maintaining visual fidelity.
  
  - Lighting and rendering the final product in Marmoset Toolbag.
  
  - Creating game-ready modular buildings

• 3D ENVIRONMENT ARTIST at NerdMonkeys

  Lisbon, Portugal

  March 2019 - July 2019

  -Modeling and texturing clothes variations of Paragon's Wukong character.
  
  -Created Hi-poly, Low-poly models.
  
  -Baked down textures from models and textured them in Substance Painter.
  
  -Created textures for Pipeline Usage within Unreal Engine.
  
  -Initial and final Lighting and Post Processing of the previously created environment
  
  in Unreal Engine.
  
  -Environment optimization for the best performance while maintaining visual fidelity.
  
  -Created the final renders of the environment within Unreal Engine.

• 3D Artist at GameNest

  Lisbon, Portugal

  July 2018 - October 2019

  -Process development, art direction, and visual standard establishment.
  
  -High | Low poly modeling and texturing of interior environments and props.
  
  -Digital sculpted organic models.
  
  -Stylized PBR Texture development, optimization, and implementation within Unity.
  
  -Retopologized models for the best possible performance while maintaining the visual quality.
  
  -BSP blocking for a level selection scene.
  
  -Volumetric scene lighting within Unity.
  
  -Final lighting optimization pass for a baked lighting solution within Unity.